
UPCOMING EXHIBITION
Sorting Daemons
Art, Surveillance Regimes and Social Control
16 January to 18 April 2010
The encoded determinations of information-gathering systems increasingly affect our lives, tracking our movement and preferences, and selectively shaping opportunities; such “sorting daemons” reinforce existing streams of influence and quietly create new ones. The artists in this exhibition take measure of our relationship to surveillance by addressing its social, political and aesthetic dimensions. Photographer David Kemp’s Data Collection project, for instance, probes attitudes towards the circulation of personal information, while David Rokeby’s haunting Sorting Daemon poses the question: what invisible mechanisms are triggered by the information harvested?
Curated by Jan Allen with Sarah E.K. Smith, and presented by the Agnes Etherington Art Centre, Sorting Daemons brings current research into the public domain through works of art. Its themes complement Queen’s University’s multi-faceted research project: The New Transparency. The video program draws on artists’ tapes about surveillance produced over the past two decades. The exhibition extends off-site with presentation of Kathleen Ritter’s Hidden Camera at the Union Gallery in Queen’s University’s Stauffer Library.
Artists: Brenda Goldstein (Toronto), Antonia Hirsch (Vancouver), David Kemp (Toronto), Tran T. Kim-Trang (Claremont, CA), Germaine Koh (Vancouver), Arnold Koroshegyi (Toronto), Ruthann Lee (Toronto), Michael Lewis (Toronto), Jill Magid (Brooklyn), Walid Ra’ad (New York); Kathleen Ritter (Vancouver), David Rokeby (Toronto), Tom Sherman (Syracuse), Cheryl Sourkes (Toronto), Ryan Stec (Ottawa) ), and John Watt (Toronto).
A Symposium bringing together leading artists and thinkers on surveillance in contemporary society will be held at the launch of Sorting Daemons. A keynote lecture will be followed by a series of round table discussions examining artistic practices plumbing the methods and implications of surveillance technologies. The film program will feature works by the Bureau of Inverse Technology (Delaware), Tran T. Kim-Trang (Claremont, CA), Walid Ra’ad (New York), and Ryan Stec (Ottawa). This program will be held in conjunction with Camera Surveillance in Canada: A Research Workshop, 14-16 January, organised by The New Transparency through the Surveillance Camera Awareness Network (SCAN). Cross registration and attendance will be encouraged.
Publication: An illustrated multi-authored book with critical essays on artists and the culture of surveillance, social sorting and data-aesthetics by Jan Allen, Sarah E.K. Smith and Kirsty Robertson is under development.
This exhibition and its programs are supported by the Canada Council for the Arts, the Ontario Arts Council, the City of Kingston and the Kingston Arts Council through the Kingston Arts Fund, SSHRC Major Collaborative Research Initiative (MCRI), and the George Taylor Richardson Memorial Fund, Queen’s University.
Matthew Hills | administrative coordinator
Agnes Etherington Art Centre | Queen's University | Kingston ON | K7L 3N6
t 613.533.6000 x 77049 | fax 613.533.6765 | www.aeac.ca