List of Works
1. Lapse, 2004
Acrylic on fabric
10 x 8 inches
$ 300.00
2. My Rock Collection, 2004
Acrylic on fabric
8 x 10 inches
$ 300.00
3. Embrace, 2004
Acrylic on fabric
24 x 24 inches
$650.00
4. Affinity I, 2004
Acrylic on fabric
11 ¼ x 11 ¼ inches
$425.00
5. Affinity II, 2004
Acrylic on fabric
11 ¼ x 11 ¼ inches
$425.00
6. Dusk, 2004
Acrylic on fabric
24 x 24 inches
$650.00
7. Fire, 2003
Acrylic on canvas
60 x 47 inches
$1,600.00
8. Last Resort, 2004
Acrylic on fabric
24 x 24 inches
$650.00
9. Resort, 2004
Acrylic on fabric
24 x 24 inches
$650.00
10. Campground, 2004
Acrylic on fabric
24 x 24 inches
$650.00
|
PRESENT Statement
My approach is an intuitive, playful exploration of
elements. I focus on a singular image, which is emphasized
by its placement on an abstract ground and mediated
through the process of stencilling. My choices reflect
a curiosity in elevating an everyday, recognizable,
common object or image to the status of scrutinized
subject. Clouds, trousers, easy chairs - not typically
regarded as usual subjects of art, provide the introduction
to my narrative.
The narrative is as much about the narrative itself,
the path of associations, as it is about any end point
or realization. In this exhibition I have mapped out
an internal narrative, one which switches back and forth
between immediate experience and contemplative self
awareness and in the process describes a place.
I am concerned with the interstice of the human construct
- the space between how we perceive landscape and other
"natural" objects, and how we create faux
objects, such as wood panelling, cartoon images, generic
people in advertising, rubber ducks and camouflage,
to stand in its place. These objects retain aspects
of the, or "an," original significance, but
there is also a sort of disjunction from the original
as the significance shifts. I am trying to use mnemonic
and metaphoric attributes to poetically comment on this
interstitial disjunction, which again, describes a situation
- a position - a present.
Ben Darrah, 2004
I would like to thank Keith Skelton and the KAC for
this exhibition opportunity.
|